I have some scrap brass left in the studio and some scrap ideas as well. I may have to throw them all in the etching tank yet. These would both be 1-1/2″ square.

I have some scrap brass left in the studio and some scrap ideas as well. I may have to throw them all in the etching tank yet. These would both be 1-1/2″ square.

Posted in pilgrim badges, sketchbook
I was sitting across from the rotating sign
For the Liberty Brass Turning Company
Automatic Screw Machine Products
And brooding about our fathers
Always on the make to make more money
Screw Machine Products Automatic
Tender wounded brassy unsystematic
Free American men obsessing about margins
Machine Products Automatic Screw
Selling every day of their God-damned lives
To some Liberty Brass Turning Company
Products Automatic Screw Machine
Until they were screwed into boxes
And planted in plots paid and unpaid
Automatic Screw Machine Products
(From the March 15, 2010 issue of The New Yorker.)
“Because philosophy arises from awe, a philosopher is bound in his way to be a lover of myths and poetic fables. Poets and philosophers are alike in being big with wonder.”
I’ve long wanted to do more “how to” videos. It just so happens that many of the things I know “how to” do are really weird and likely useful to no one but me. Nonetheless, the video was almost as much fun to make as the brass wire rope.
Best of all, check out my super-sophisticated iPhone camera mount. A steady-cam it’s not.
Posted in idle angels, making
Tagged acid etch, brass, cupric chloride, patina, pnp blue, toner transfer
Never in my years of working with Press-n-Peel Blue have I ever had such a perfect transfer (both front and back). And this was my first try using new methods and equipment. I’ll be posting my notes with additional images later on.
Now if you’ll excuse me I’m going to imbibe a rather large glass of my Father’s Day port.
The last few days I have become rather obsessed on exactly how I plan to put the final finish on the Idle Angels. Which abrasive? On a wheel or by hand? How fine? Perhaps a buffing wheel?
Before this I have obsessed over getting the illustrations “perfect” and laying out the resists perfectly and organizing the studio. I know my self well enough to realize that all these little obsessions and productive procrastinations are really manifestations of fear. Some of this fear is justified in that the materials are expensive and my time is extremely limited. I also know that I’ve reached the limit of what I can plan for without taking some risks.
But returning to the question of finish, today I received courage from two master craftsmen.
The first is Tim McCreight’s simple advice from The Complete Metalsmith: An Illustrated Handbook:
“Keep in mind that there is no universal “right” finish. You can stop at any point that complements the piece.”
The second dose of courage came from Nicholas of Verdun and a close-up image from his famous altar. Seeing the directional scratches in this masterwork (there is no work of art that I regard more highly) gave me the fortitude to stop planning and start making.

A lion’s head. Close-up from the panel &Noah’s Ark of the Verdun Altar. The full plaque can be seen at the Lessing Photo Archive.
“I am sure that I never read any memorable news in a newspaper. If we read of one man robbed, or murdered, or killed by accident, or on house burned or one vessel wrecked… we need never read another. One is enough. If you are acquainted with the principle, what do you care for a myriad instances and applications? To a philosopher, all news as it is called, is gossip….”
from Walden, 1854
“The human understanding is like a false mirror, which, receiving rays irregularly, distorts and discolors the nature of things by mingling its own nature with it”
Posted in quotation
Another Eric Gill from The King James Bible: Its History and Influence. How could I not love this?
Posted in art hero, image research, inspiration
Tagged angels, bible, books, hrc, illumination, illustration