- Gears and Gravity, Day 4: Arbor Tube Rolling
- Gears and Gravity, Day 3: Pinion Construction I
- Gears and Gravity, Day 1: Best Scissors for Cardboard
- Cereal Box Clock: Working Prototype
- Cereal Box Clock
- Wire and Cardboard Escapement Mechanism
- Endowed birds
- Cardboard Gears Go
- Super Simple Gear Geometry
- On the cover of Sculpture Magazine
- Rolling censer
- Inverted Geneva Wheel Mechanism
- Quotation: Albert Einstein
- A woman teaching men
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Tag Archives: painting
As I have mentioned before, my curiosity continues to lead me to works of Hispanic art and particularly those works from Latin America.
This is the work of Mexican artist, Nicolás Correa. I like the relationship of the fully developed figures on the black wall surfaces defined with fine white lines. I’d love to see a work like this in person so that I could see the light shimmer off the shell fragments.
I’ve been thinking about Ned Gannon’s new painting all day. Ned is one of my oldest friends and what a pleasure it is to witness a childhood friend turning out to be as awesome as you imagined they would when the future seemed unlimited.
Ned beautifully renders a kind of action shot of the literal fracturing of an ecology, as if decades of degradations could be shown in an instant. What particularly strikes me about this painting is the sense of, “what next?” The deer and wolf are on the run and may yet escape but it’s certainly an open question. The fellow in orange however, has lost his gun and looks as though he will shortly fall on his ass.
I’ve always had a soft spot for uncomfortable furniture. So I was delighted to find the image of this little stool inspired by Pieter Bruegel’s Twelve Proverbs expertly crafted by “Yorkshire Stewart” His description and Bruegel’s painting are below.
I’m also pleased to see paintings of holy men and nude women on the same wall.
I’ve had this postcard of Don Weddle’s Ship of Fools pinned to my studio wall for a couple of years. When I walked into Jim Richardson’s Small World Gallery (a wonder in and of it self) I was so pleased to find one of my favorite themes in art in the little town of Lindsborg, Kansas.
Don Weddle studied art at Bethany College, The Art Institute of Chicago, and The University of New Mexico. Don is retired from teaching high school art in Wichita and interestingly, was an early mentor to another artist whose work I admire, Tom Otterness.
If you grew up in McPherson County, Kansas as I did, it is likely that Birger Sandzén was the first artist whose style you could confidently identify. His work is in all the schools and in many homes throughout central Kansas. My heart swells with hometown pride when I encounter a Sandzén’s art in major museums throughout the country. Doubtless his work (particularly the prints which I can recall trying to decipher at an early age) continue to influence my own particular artistic choices.
This can be said to be a reredos in English or perhaps a retablo in Spanish. This photo is from my Great American West vacation of 2009.
From “The Painting on the Wall,” by Peter Schjeldahl in the November 28, 2012 issue of The New Yorker:
["Frozen Assets"] depicts Depression-racked New York in four tiers: skyscrapers, a homeless shelter, underground pipes, and a bank vault. It can seem a mere polemical illustration; but, given thought, it becomes a distillation of history with a carefully measured, unexhausted potency. It doesn’t tell us what to think, only what must be thought about.
(Image from WikiPaintings, and exciting new source!)